Writer, director, actor, composer: Julie Delpy is one of current French cinema’s great renaissance talents. In her new movie, a four-string black comedy that develops on the thinking at work in her recent 2 Days in New York, a world-weary fashionista (Delpy) finds her happy new relationship with a divorced, slightly unpolished computer programmer (Dany Boon) threatened by the machinations of her wheeling, malevolent son (Vincent Lacoste). Delpy is a filmmaker with a wise, prickly comic sensibility, and her movies often slide—like screwball comedies—from cerebral verbal banter to outright farce. Lolo is no exception, although it’s also her darkest, riskiest, and most startling movie to date.
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