The first feature from the brilliant French filmmaker Claire Denis is a searing and eloquent work of semiautobiography that centers on a young white woman’s memories of growing up in 1950s Cameroon. Most of the film deals with the complicated relationship between her mother and their houseboy, Protée (the great de Bankolé). This beautifully made meditation on class, race, nationality, and colonialism touches on many themes Denis would continue to plumb through her formidable career.